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August 2004: Features
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Jan Ozer| When you’re doing professional shoots, you’ve got two alternatives for capturing higher-quality audio: get really, really close to your subject, or get an external microphone. Assuming that close proximity is not always an option, with all the mics, connections, and strategies available, what do you need to know to do on-site sound right?
Posted 05 Aug 2004
/ August 2004
By
Jan Ozer
Forget Virtual Reality. It’s time to come full circle. “Immersive” technologies are doing what VR can’t, and the key ingredient is 360-degree, panoramic digital video. Will it revolutionize interactive media?
With a few tweaks on the shoot and in the edit bay, plus a basic knowledge of streaming codecs, video pros can take the next logical step in reaching new clients—getting their work on the Web.
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August 2004: Columns
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It’s easy to miss the headquarters of Purcell Productions, a full-service digital video production studio located in Alta Loma, California. Unless you’re one of the 20 or so freelance camera operators, producers, or video editors whom Purcell employs on a project-by-project basis, you’d probably never even know it’s there.
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